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15 May 2008 @ 07:30 pm
444: Adventures in Drama...  

I havne't been updating about the shit that has been going down--must get better at this...

Tuesday morning I had my French final. It went alright--could've gone better, could've gone worse. No matter what, I'm getting at least a B, hopefully an A- if the final didn't go as poorly as my cynical side always imagines.

Tuesday night I went to see the round of final performances by the Scene & Monologue class in the studio theater. They did a series of Shakespeare soliloquies (incorporating constant movement and voice), and then scenes from modern plays. Archie--the Indian girl with the chocolate skin who dates my former roomate, Brendan (the Irish one)--did a scene with another girl from "Parallel Lives" which was absolutely hilarious, done in Valley-girl style. The last scene was from a play called "Rabbit Hole" and was pretty good. Both made me want to go out and find the plays (wasn't "Parallel Lives" made into a movie? It sounds familiar...)

Unfortunately, about halfway through the performance, my left lense popped out and clattered under the bleachers. I had to crawl under there afterwards, and once I had located it, climbed up through the second row, emerging like some kind of worm. It was pretty hilarious--but not before I could retrieve it. I found out that one lense still aids the other eye, but it's not particularly comfortable. I need, in addition to a proper pair of shoes, to get some new glasses. Hopefully both can be purple.

Afterwards, I went to Johnson House, as the Creative Writing class was having a similar final-themed reading. The editor of an anthology, "A Stranger Among Us" was there, and the teacher, Sharon May (who was replacing Barnstone this year--he was on sabbatical), read her story that was in there, about a Cambodian ex-patriate who works as a translator with the Australian Immigration Authority on the Thai border. Afterwards, they talked about both sides of trying to get published, which was very interesting for me, obviously, as I plan to have a career on at least one of those sides (writer and/or editor).

And last night I went to the final round of performances for the Performing Non-Fiction class. This is the class where each person chooses a (semi-)historical figure to research and write a one-person, fifteen minute play about it. (This was the first time they offered it, so hopefully I can take it my junior year and do Edna St. Vincent Millay, and get to wear a flapper dress and a red bob, and throw letters about, giggling high-pitchedly). It was all rather meta, as they were moving around the few props making up the set right in front of us, with barely dimmed lights, but they were all pretty good, and some of them were *really* good. Here's a break-down:

--Beethoven: This was the weakest, in my opinion, only because I am sick to death of this representation of suffering musical-geniuses, and the melodrama, while intense, got a bit over the top when he ripped off his shirt to reveal the "I" (for Immortal) paitned on his chest. This was the general problem with these perfromances: they didn't probe deeper and shine light on the less-obvious psychological facets of these famous figures. Then again, I've always been more of a Mozart-aficionado meself...

--Oscar Wilde: Tim was prolly the best actor out of the bunch, but I would have also liked a deeper exploration of Wilde's relationship with this Alfred (I've long thought of wanting to do a play on such). At any rate, one of the best written ones, appropriately witty and in the end, nihilistic...

--Carole King: Over 50% of this is sung and I give her props for getting us all to sing along with her. Love "Tapestry"!

--Helen Keller: One of the most artistically modern ones, I'm not sure how intentionally. Obviously, she couldn't really speak, which added power (and an inappropriate sort of hilarity) as she deals with the objects on stage in interesting ways (dumping the flowers into the vase and then the water--and when she drops the cloth in the water and then wraps it around herself). I especially liked the beginning, where we have the interpreator reading out what she signs up into her hand, and the lighting on them, mirrored when she's reading the graille at the end and smiles... Also, love Caitlyn! ^_^

--Sylvia Plath: Excellent acting and I love the action in this; but again, I would have liked a more astute psychological rendering of one of my favorite poets, beyond the usual representations of them...

--Janis Joplin: This one pretty much devolved into her throwing baby-powder into the air as the others blew bubbles around her and they all had a generally groovy time...

--Salvador Dali: Chris is very creative I must say, but it tends to overwhelm his point. Exploding fish, paint squeeze tubes hidden in bread, lit-up christmas lights under his pants, dumping black paint over his head at the end... The play itself was moving in its way, and I guess he made a good point about the best kind of insanity...

I mostly came for Chris's one anyway (but I really liked Tim's too). Maybe I should've stayed to congratulate Tim, but I couldn't stop staring at Chris (he changed out of his paint-covered clothes right there, not helping matters), but I had to run out...

One of those moments again where I am overcome and start hyperventalating, only I actually almost started crying this time. I thought I might collapse in the bathroom, but once in there I realized how stupid I was acting. I wasn't gonna go back in, but I had to have a few words with myself before I at least headed back out.

I allowed myself a minute of vocal drama and self-hate, and at first, I couldn't bare to look at myself in the mirror. But I finally set myself straight: I just had to get over it and push this back down, it wasn't as if I really wanted to do anything about it at this point. So, I left, continuing to talk to myself on my way down the street and back up the hill to the language lab. I couldn't stop saying, I have me, that's all I need, right? I have myself, I don't need anyone else, I have me, I have me...

And that's when I ran into Erica and fell, squealing, into her lap. I tried to explain my boytroubles to her, rather madly ripping the grass out next to my knee, but finally her friend was able to cheer me up and I was able to focus on different things...

I just want to get home, but I also just wanna... y'know? It's only because I've had a crush on him the longest her, I'm just fixating. Yes, that's it, that's all. That's all. And if I want to curl up and rock back and forth and repeat the same things over and over again, that doesn't have anything to do with him. It has to do with unhealthily self-centered coping-mechanism from when my sister was abusing me. My parents betrayal and not wanting or feeling like I can really trust anyone ever again and grabbing onto my loneliness and wrapping it around me like it can protect me...

Well, I don't know if I can get rid of it. Not the near-rabid obssession with emotional self-sufficiency, anyway. That's too strongly ingrained now. Is trust really an issue? I suppose it is, if it cripples me enough that I can't even think there's a chance I could ever be with anybody. So it doesn't have to be him, it could be someone else. I guess. I don't know!



I want to overcome this loneliness, and I think I just need to hang out with friend more... So, this summer, I have many fun things planned, and just generally try and be productive. Try and not give this thing--this thirst for melodrama which is always boiling under the surface, waiting to explode like this--too many chances to manifest... Nobody likes a drama queen!

I think it's may be that I want attention--but in a sense, I don't want people to focus on me at these times. Or I do. I'm not looking for pity--or do I want to shock? I think I just want to totally break down so I can just let out all this anger and sorrow that's been festering inside of me for so long... Oh, how emo!

Well, I'm gonna go now and hope that I haven't scared y'all too greatly. Next post will no doubt be concerned with the practicalities of finals and going back home. Cheers.

 
 
Moodswing flavor: sick
Listening to: I am so sick, Flyleaf
 
 
 

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